By this I mean that we no more have a shut down system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported Bateau De Papier as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to provide enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities
Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, however the most extreme form occur in Paper Miracle with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course carefully related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent point out of the techniques is by Toshie Takahama who refers to it as Avion En Papier Tutoriel Kirikomi and distinguishes it as typical of very early Japanese Origami.
Inside a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modelling particularly when foil has recently been used and one can be certain of the substance remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper appears to be Japanese in origin was demonstrated by Pliage Avion En Papier Facile Yoshizawa at a Convention in Luton. Another method of moist moulding using paste in the preparation is mentioned by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and that we are approaching statue rather than Origami.
Fleur en papier
The trimming out of holes etc. to indicate eyes etc is sometimes found in Japanese books and we are obviously coping with technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). Typically Origami Owl Locket the last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and evidently here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its easiest form we may use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or credit card. One of the most unusual form of 'display mechanics' that I actually am acquainted with is by Toyoaki Kawai.
Bateau en papier
Typically the associated arts are Weaving and Macrame
which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of papers each folded to symbolize some part of the animal and then brought together. The Comment Faire Un Avion En Papier Tuto idea may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have came out for folding a monster from a number of potager of different sizes.
Comment faire un avion en papier
Inside the most extreme mixtures of water and papers we are, of course , in the world of papier-mache which is evidently an open-ended art. DecoratingThe simplest step from your single coloring is one side colored and one white or plain. A great offer of modern Origami uses this colour difference. A new delightful example is Mary Homewood's Robin. We can use the Dessiner Un Avion En Papier texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design well suited for an exclusive model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bows and finally string.